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  • Characterize This.

    • 1 Dec 2010
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    • character-driven characters childhood freud re-write regression self-help selfish writing
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    After a certain amount of development, there's a point in writing in which characters begin to take on a life of their own; begin to write themselves.

    Being somewhat of a self-help junkie, or just plain selfish, I asked myself:

    What have I done to develop my character?

    The reason that fictional characters begin to come alive and create themselves is because the writer has created a story and traits that make him or her who he or she is. Pretty soon, all you have to do is imagine a circumstance to put them in, and they'll find their own way out.

    In the same way, my character as a human being has been writing itself out of circumstance my whole life. I'm being propelled into the future by my story.

    Why do we care about our stories? Should we?

    Yes. If life is picture-perfect for you right now, by all means, keep the magic flowing. If not, then stop whatever story you're telling. Like, now.

    The connection between childhood events and adult behaviors is fascinating, and discovering them can be extremely cathartic and healing. The stagnation sets in when one dissects and pores over the details—blaming yourself; blaming this situation or that person. Like Methadone, it pretty much works the first time—then it's nothing but more trouble.

    I might as well rewrite my "character" the way I want it. My mind doesn't know the difference. My intellect might—but intellect isn't driving this ship and is, at best, an annoying backseat driver with the directional sense of a sandbag.

    What intellect is good for is creating new stuff. For imagining a you that is so damn amazing that that story begins to write itself.

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  • Bitches And Bitching.

    • 10 Feb 2010
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    • bitch blog childhood dogs dr. emoto hidden messages in water language water crysals
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    When I was five, I remember standing in front of the refrigerator repeating the word "bitch" over and over in a sing-songy sort of way. My mom couldn't really be mad—it was cute. She just let me go on for a minute, then gently advised that I find another song to sing. I didn't know what "bitch" meant—or where I even heard it—I guess I just liked the way it sounded. Not long ago, I was driving and had just checked my bank statement and noticed there was an overdraft fee. "F*ck! Those motherf*ckers!..." As I continued in my eloquence, I looked in the rearview and noticed my sweet dog, Violetta, cringing in the back seat, apparently assuming that my anti-banking tirade was directed towards her. "No, sweetheart, I'm not mad at you." (as if she understands me.) My initial thought was that it was the tonality of my voice—not the word itself—that effected her. So Tessa and I experimented with saying the F word in various happy tones, including the beloved "doggy voice." Still she cowered at the word every time. (Though a little less sans the angry emotion.) This reminded me of Dr. Emoto's work with water crystals. He demonstrates the power of words before and after chanting (or even simply writing) various phrases on water bottles. He then freezes them and photographs the subsequent crystals. It really makes one give a second thought to the power of words and projection. Perhaps I was drawn to the word "bitch" way back when because I knew that it was "wrong," and it appealed to my rebellious nature. I knew it was wrong because, just like Violetta, I was innocent then—and I believe that the more innocent we are, the more perceptive we are to the true nature and energy of things.
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